Written in 1836, Woyzeck is often considered to be the first truly modern play. The story of a soldier driven mad by inhuman military discipline and acute social deprivation is told in splintered dialogue and jagged episodes, which are as shocking and telling today as they were when first performed, almost a century after the author's death, in Munich 1913. This edition contains introductory commentary and notes by Laura Martin from the University of Glasgow. METHUEN DRAMA STUDENT EDITIONS are expertly annotated texts of a wide range of plays from the modern and classic repertoires. A well as the complete text of the play itself, this volume contains: * A chronology of the play and the playwright's life and work * an introductory discussion of the social, political, cultural and economic context in which the play was originally conceived and created * a succinct overview of the creation processes followed and subsequent performance history of the piece * an analysis of, and commentary on, some of the major themes and specific issues addressed by the text * a bibliography of suggested primary and secondary materials for further study.

Drama Classics: The World's Great Plays at a Great Little Price One of the most performed and influential plays in German theatre, Georg Buchner's Woyzeck is a modern classic that remains frighteningly relevant today. Franz Woyzeck, a lowly soldier stationed in a provincial German town, is bullied by his superiors and starved by the regiment's doctor in the name of scientific experiment. His only pleasures in life are his lover Marie and their innocent young son. But when Woyzeck learns that Marie has been unfaithful with the regiment's handsome Drum Major, he murders his lover in a fit of rage and hopelessness. Based on a real-life murder trial that took place in Germany in the 1820s, Woyzeck was written in 1837 but not staged until 1913. This English translation by Gregory Motton is published in the Nick Hern Books Drama Classics series. The edition includes an introduction by Kenneth McLeish, a chronology and suggestions for further reading.

En esta edicion se recogen las dos obras mas significativas del dramaturgo aleman Georg Buchner: La muerte de Danton, drama sobre la Revolucion Francesa, y Woyzeck, drama inconcluso, calificado como el primer drama social de la literatura aleman. Georg Buchner, con excepcion de Holderlin, es uno de los escritores alemanes mas dificiles de situar en la evolucion historica de la literatura alemana, pero esta considerado como uno de los grandes dramaturgos alemanes.

A classic of the German stage adapted as a monologue. Though written in 1837 Woyzeck is widely regarded as the first Expressionist play due to its splintered and fragmentary nature. Here it is presented in a new form.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Nachgelassene Schriften Georg Buchner J.D. Sauerlander's verlag, 1850 Literary Criticism; European; German; Drama / Continental European; Literary Criticism / European / German

"Written shortly before his death at the age of twenty three, Georg Buchner's Woyzeck is often described as the first 'modern' play. It tells the story of a poor soldier manipulated and abused by his 'superiors', turned into a specimen for cruel experimentation at the hands of the medical establishment, and finally betrayed by the woman he loves, with devastating consequences. In this new adaptation of Buchner's fragmented and visceral text, with original lyrics by Nick Cave, Icelandic director Gisli orn Gardarsson transposes the story to an inhuman industrial landscape, and fiercely reimagines the play's potent fusion of naturalism and expressionism."

The life of Georg Buchner was short, intense, and tragic—and extremely significant for the development of modern drama. His three plays, Danton’s Death, Leonce and Lena, and Woyzeck, were greatly ahead of their time in their penetrating dramatic and psychological treatment. They served as an impetus for contemporary schools of drama as different as the Theatre of the Absurd of Ionesco and the Epic Theatre of Brecht.
lso presented in this only complete volume of Buchner in English are his two powerful prose pieces, The Hessian Courier and his short story, Lenz.

The Georg Buchner Prize is the highest literary honor for German language writers, and the full extent of Buchner's influence-from Gerhart Hauptmann to Christa Wolf, Max Reinhardt to Robert Wilson, Alban Berg to Tom Waits-defies cataloging. When Georg Buchner died in 1837 at the age of twenty-three, he left behind a small and heterogenous body of work, most of it unpublished: three plays, a novella, a political pamphlet, a dissertation, medical lectures, and letters. Matthew Wilson Smith has newly translated Buchner's introduction to On Cranial Nerves. Each text is accompanied by explanatory annotations. The editor's introduction examines the complexities of Buchner's short life and how they informed his writing. The volume also contains ten illustrations. "Contexts" includes Buchner's correspondence with the people who knew him best, impressions of Buchner from a fellow medical student, excerpts from Buchner's diary, the wanted poster calling for Buchner's arrest for political conspiracy as well as the real-life inspirations his novella, Lenz, and his best-known play, Woyzeck. For ease of reference, "Criticism" is topically arranged by work and includes assessments by, among others, Laura Ginters, Victor Brombert, Bertolt Brecht, Henry Schmidt, Andrew Webber, Rainer Maria Rilke, and George Steiner. Three accounts of important productions of Danton's Death are reprinted, including John Houseman's remarks on Orson Welles's staging. Finally, the speeches of four winners of the Georg Buchner Prize-Paul Celan, Christa Wolf, Heiner Muller, and Durs Grunbein-are reprinted in their entirety. A Chronology of Buchner's life and work and a Selected Bibliography are also included.